The Sentence Is Death Lib/E (Compact Disc)
Anthony Horowitz keeps getting better and better. A continuation on the clever conceit he initiates in THE WORD IS MURDER, Horowitz once again finds himself as a character in his own detective novel. He begrudgingly teams up with Hawthorne in order to solve not one, but three suspicious deaths. Horowitz has developed a unique storytelling method and I hope this is not the last one we see.— Jamie
June 2019 Indie Next List
“I really love this series by Anthony Horowitz. The mystery behind the murders is so expertly plotted and layered that you could make a case for any suspect. In this book, a divorce lawyer is found dead in his home after being beaten over the head with a VERY expensive bottle of wine, and the number 182 is painted on his wall. When Private Investigator Daniel Hawthorne drives onto the set of Horowitz’s TV show shoot, Horowitz has no choice but to follow his lead and write about the case. As always, I’m anxiously awaiting the next in this series.”
— Nichole Cousins, White Birch Books, North Conway, NH
Death, deception, and a detective with quite a lot to hide stalk the pages of Anthony Horowitz's brilliant murder mystery, the second in the bestselling series starring Private Investigator Daniel Hawthorne.
"You shouldn't be here. It's too late . . . "
These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine--a 1982 Chateau Lafite worth 3,000, to be precise.
Odd, considering he didn't drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man's many, many enemies did the deed?
Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who's really getting rather good at this murder investigation business.
But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed--even at the risk of death . . .