Music in the Seventeenth and Eighteenth Centuries (Oxford History of Western Music #2) (Hardcover)
Other Books in Series
This is book number 2 in the Oxford History of Western Music series.
- #3: Music in the Nineteenth Century (Oxford History of Western Music #3) (Hardcover): Email or call for price
- #4: Music in the Early Twentieth Century (Oxford History of Western Music #4) (Hardcover): Email or call for price
- #5: Music in the Late Twentieth Century (Oxford History of Western Music #5) (Hardcover): Email or call for price
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries, the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
About the Author
Richard Taruskin is professor of musicology at the University of California, Berkeley. In addition to this work, Taruskin is also the author of such books as Music in the Western World: A History in Documents (1985), Text & Act (OUP, 1995), and Stravinsky and the Russian Traditions (1996). He is a frequent contributor to the New York Times, New Republic, and many other scholarly journals.